Tacita Dean: Antigone

2018-2019

Production | Exhibition Grant

Tacita Dean, an artist and vocal advocate for the preservation of the medium of film, will debut her most ambitious project to date – Antigone in May 2018. Dean’s work is characterized by a sense of history, time and place, light quality, and the essence of the film itself. In line with these themes, the project will compose of a two-screen 35 mm film installation celebrating the quality and techniques of photochemical film. Derived from the origin of her own sister’s name, Antigone takes its starting point from the undramatized part between two of Sophocles’ three Theban plays, Oedipus Rex and Oedipus at Colonus, whose mythological character, Antigone, guides her blind and lame father, Oedipus, through the wilderness. The film will underscore the importance of film experimentation and highlight the endeavor of film, as a medium, to find a form between art, cinema and theater.

Experimenting with chance and contingency, Dean will apply the aperture gate masking technique she invented, where people, landscapes, and places can be filmed simultaneously through multiple exposures in the same film frame to challenge traditional narrative and create a contemplative experience for the viewer. In this work, Dean will allude to the concept of blindness, filming a total eclipse of the sun and relying on “blind faith” in her film experimentation. Shot in the US, and the UK, Antigone will feature actor Stephen Dillane, poet and playwright Anne Carson and publisher Peter Mayer, premiering at the Royal Academy of Arts, London this spring.

Images:

Tacita Dean, Antigone, 2018. 2 synchronised 35mm anamorphic color films, optical sound, 56 minutes with a running time of exactly one hour, continuous loop synced to start on the hour. Film still (detail).

Tacita Dean, Antigone, 2018. 2 synchronised 35mm anamorphic color films, optical sound, 56 minutes with a running time of exactly one hour, continuous loop synced to start on the hour. Film still (detail).