Martin Puryear: Liberty/Libertà

Madison Square Park Conservancy, New York, NY

58th Venice Biennale

May 11 – November 24, 2019

 

Production | Exhibition Grant

Drawing on iconography developed over his distinguished career, Martin Puryear’s exhibition in Biennale Arte 2019 in Venice brought new and recent sculpture including a monumental treatment of the outdoor forecourt to the U.S. Pavilion. Through a fiercely independent visual language, the artist’s work shined light on some of the most significant themes of our time. Puryear has long reckoned with personal and collective matters in society, culture, and politics that often provoke national and international debate. Sources in material culture include the Phrygian cap worn as a symbol of liberty during the French Revolution,  a Civil War forage cap donned in the American Civil War, and a West African textile fashioned into a headcover. Wagons or carts have been equally powerful objects for Puryear, propelling him to think about freedom, mobility, and the potential of emancipation. Martin Puryear: Liberty / Libertà featured sculpture that ranged in material and scale. As with all his work, these sculptures emerged from Puryear’s engagement with African, Native American, Scandinavian, Shaker, and Japanese craft traditions. Madison Square Park Conservancy Deputy Director and Martin Friedman Senior Curator Brooke Kamin Rapaport, who is the Commissioner for the 2019 U.S. Pavilion, observed that Puryear’s work channels our shared history while leaving room for interpretation: “Through abstract sculpture, an artist can convey profound meaning derived from historical and contemporary social, cultural and political experience.”

The exhibition was accompanied by a catalogue and significant public programming in New York and Venice. Featuring essays by Darby English, Tobi Haslett, Brooke Kamin Rapaport, and Anne Wagner, an extensive chronology on the artist, and images of all works in the exhibition, the publication traces significant themes in Puryear’s work and explores his relationship to social, political,  and cultural issues. The Conservancy also collaborated with New  York City-based nonprofit Studio Institute of Studio in a School and Istituto Provinciale per l’Infanzia of Santa Maria della Pietà in Venice on public outreach activities.

For more information, visit the Venice Biennale Arte 2019.

Installation view, Martin Puryear: Liberty/Libertà. La Biennale di Venezia, U.S. Pavilion, Venice, Italy, 2019. Photo: Joshua White – JWPictures.com

Installation view, Martin Puryear: Liberty/Libertà. La Biennale di Venezia, U.S. Pavilion, Venice, Italy, 2019. Big Phrygian (2010-14) Glenstone Museum, Potomac, Maryland. Photo: Joshua White – JWPictures.com

Installation view, Martin Puryear: Liberty/Libertà. La Biennale di Venezia, U.S. Pavilion, Venice, Italy, 2019. Photo: Joshua White – JWPictures.com

Swallowed Sun (Monstrance and Volute), 2019 Southern yellow pine, steel, polyester, canvas, rope. Two parts, (a) 22 ft. 8 in. × 44 ft. × 1 ft., (b) 21 ft. × 7 ft. 9 in. × 23 ft. 3 in., overall 22 ft. 8 in. × 44 ft. × 24 ft. 3 in. Photo: Joshua White – JWPictures.com